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To handle the situation best, though, Lightroom could tackle some thorny cataloging issues: How do you reconcile names stored in the face recognition system with names in keyword metadata? How do you handle a photo of a person whose face isn't visible but who should be discoverable by name? What if you organize face recognition system with full names but want to export photos with only first names showing as tags on Flickr? Again, there's support in Photoshop Elements, so Adobe has at least a starting point.
#Adobe photoshop lightroom 2 amazon software
Until the day arrives that cameras can record this automatically-only a handful do today-the easiest way to obtain location data is through track records collected with mobile phones or dedicated GPS devices.įace recognition is also a useful tool in software for organizing, searching, and managing catalogs of photos. Photoshop Elements has some basic support, letting you drag an image onto a map to assign coordinates, but what Lightroom needs is something like Aperture's slick interface for handling a group of photos and a GPS track log that records where you've been over a period of time.
That's really useful for professionals managing their collections or amateurs trying to remember just where they took a particular photo somewhere during that two-week trip to Tuscany. Geotagging lets you assign geographic coordinates to photos, letting you browse them by map or find out later where you took a shot. Two other features that figure prominently in Apple's new Aperture 3 also deserve a spot in Lightroom: geotagging support and face recognition. This, too, is complicated by Lightroom's approach, though: combining multiple photos isn't something easily recorded as a metadata change to one. In contrast, Photoshop's corrections permanently shift the image's underlying pixels, a one-time chore that isn't a factor in future changes such as editing.Īnother big possibility raised by Photoshop CS5 is support for high dynamic range (HDR) photography, in which multiple images spanning a range of bright and dark exposure settings are merged into a single shot. That makes it a harder match with Lightroom's nondestructive editing philosophy that records changes as instructions stored in metadata. One caveat: geometric distortion imposes a big computational burden because it's a transformation that necessarily pushes a lot of pixels. Raw-image editing software from DxO Labs and Phase One show it can be automated, and Adobe Photoshop CS5 is a good indicator it will be.
#Adobe photoshop lightroom 2 amazon manual
Such corrections are tedious manual labor, though, even when automated with presets you can create and apply to groups of photos. And in some cases, such as shots from Canon's S90 and Panasonic's Micro Four Thirds compact cameras, it can automatically correct geometric distortion that causes parallel lines to bow out (barrel distortion) or pinch in (pincushion distortion). With Lightroom 2, you can manually correct chromatic aberration (typically red and cyan fringes in high-contrast edges) and vignetting (darker corners of a photo).
The second Lightroom 3 beta brought support for video import, tethered shooting with the camera cabled to a computer, faster performance, better vignetting controls, the ability to add simulated film grain, and various other changes.īut what's next for Lightroom 3? There are some broad possibilities, with some more likely than others.įirst off, and very significantly, I think it's likely Lightroom 3 will get at least some of the automatic lens correction feature that's just arriving in Photoshop CS5. The first Lightroom 3 beta focused on better image quality through improvements to noise reduction and sharpening. Lightroom 3 is under development with more dramatic changes, though. ( Note: see the two updates below for another change to the new software.)
#Adobe photoshop lightroom 2 amazon download
Lightroom 2.7 and the corresponding version 5.7 plug-in for Photoshop CS4 users are available at Adobe's download site, and the DNG Converter 5.7 now is on Adobe's Digital Negative site. The company's standard procedure has been to issue minor updates to let the photo-editing and cataloging software handle the proprietary raw image formats from higher-end cameras.
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Adobe Systems released Lightroom 2.7 on Tuesday night for Windows and Mac, adding support for raw images from an expected range of newer cameras: Canon's Rebel T2i, Sony's Alpha A450, Panasonic's Lumix DMC-G2 and G10, Olympus' E-PL1, and some medium-format models from Leaf and Mamiya.